#but what fun is a character without flaws

[literarylesbo]

spike’s changing perception of love and his actions surrounding how to show it is such an interesting concept…

as a human, spike, or william, was never shown love in a true way. he loved his mother, and he took care of her. he showed love to a girl in his town, and he was made fun of and shut down. he was a bit pathetic (and i don’t mean this as an insult, it’s just one of the only words to describe what i’m trying to convey). when he becomes a vampire, he turns his mother in an act of love to cure her sickness (as another post has mentioned before), but she becomes cruel, and in another act of love, he kills her. he ultimately ends the life of the one person he cared about completely as a human.

then there is the power dynamic between drusilla and spike, as i think there always is between the sire and the sired. she knows more about the world and changes him to be like her. despite her mental state, she has the upper hand about what they are and how they should act. that isn’t to say that they don’t truly love each other; it just presents another obstacle.

i am a spuffy shipper all the way, but I do love dru and spike’s relationship as well. however, it is built on obsession and violence. spike’s birth as a vampire is due to his death as a human by dru’s hands (or fangs lol). they do grand acts of violence for each other. they are aggressive and passionate with one another. they love each other (this can be seen not just through their actions but through the episode with the judge when he says he can sense love and jealousy in both dru and spike). but this love is not built on things that we associate love with. it is built on violence, sex, passion, but also a strong sense of loyalty.

when spike realizes he loves buffy, he is taking his own perception of love that he has developed throughout his life. from what we’ve seen, he does not have experience as a human, so most of his definition is being taken from his time as a vampire. we see this deep caring he has for buffy, but he has no way to convey it properly. he kidnaps her and threatens to kill dru to prove his devotion to her, by killing the person he loved first.

however, he sees the fault in his ways. he’s fiercely loyal to her by the fifth season. he’s willing to sacrifice himself for dawn; he’s willing to put his life on the line in a way he hasn’t for anyone before. he counts the days buffy is dead and continues to fight with her friends. he helps her fight her way out of her depression.

he tells her that she belongs in the darkness with him because he truly thinks that. what friend was really trying to help her after they resurrected her? do i agree with him? no, but also what image of healthy love does he have to look back on? none.

(i do not take into account the actions of “seeing red”. in all honesty, i act like they didn’t happen because of the reasons behind it being petty and cruel *cough cough joss* and sending james to therapy etc etc etc, just a disclaimer)

so spike gradually learns how to love. properly. he gets his soul back to prove he can be the type of man she could love. to be worthy. and that is something so beautiful. he didn’t force buffy to show him how to love. he did it himself. for her. he learned how to love with and without his soul. he made the decision to get his soul back when he still didn’t have one.

his character is so interesting to me because he is a goofy guy but he’s also deep and deeply flawed. i have a lot of thoughts obviously but this explains some.

[grumfield]

Since you’ve read like…all the books why do you think that Anakin is such a polarizing character? Beyond the oblivious. I feel like there’s strongly opposing viewpoints which feels wild. But you’re pretty impartial when necessary and also well read in this world so I’m curious what you think!

wow I love it when y'all give me asks that let me flex a bit more of my top-down muscles like this. super fun, thank you!

I think it, first of all, this is a very "fandom" conversation. Popular cultural conversation is generally no more than "Vader was sympathetic but bad, Jedi cool." so these more intense debates kind of predicate on the idea of peoples' personal investment in the charactesr beyond the movies. Even though the movies do provide context--and have a very overt George Lucas messaging of "Jedi wrong, love is what saves"--the average person doesn't really think more on it or try to reconcile beyond what the movie itself shows. So TLDR this is sort of presuming the people having this discussion have delved into other works.

I think it comes down to how much and what media beyond the movies people engage and prefer with because there are so many prequels projects, all of them written by different people with different perspectives (at least in legends...i'll get to the disney POV soon), which is the beauty of multimedia works.

Legends projects in general tend to be more critical of the Jedi, majorly, I think, because George Lucas had control. Lucas was, obviously, critical of the Jedi, and his projects reflect that. Most of them are takedowns, and don't really show the Jedi in a particularly favorable light.

Disney, on the other hand, definitely skews more in favor of the Jedi. I don't think this is actually a Disney perspective, I think that this is a popular perspective that was ingratiated into their framework. IMO many people think of the Disney era as against the Jedi, but to me it's definitely "pro" in the sense that they are effortlessly cool + flashy, there's very little bureaucracy, and the characters at fault are not at fault for systemic reasons, but rather personal failure (which I feel like is seen in the Acolyte).

In Disney narratives, Jedi structures are not the issue, flawed people are. Whereas in Lucas narratives, flawed people are not the issue, Jedi structures are.

For example, I've noticed a lot of Legends books portray Anakin's relationship with Padmé as the thing that saved him, which is a very Lucas perspective to hold, since his entire thesis of Star Wars is that love is what redeems. In opposition, though, a lot of Disney books pose their relationship as what caused his downfall, because if he'd never been in a relationship with her he wouldn't have fallen because she wasn't there. Similarly I think that Jedi Quest is a very unsympathetic look at Obi-Wan that holds him responsible for Anakin's downfall, whereas Deborah Chow's Obi-Wan show is more sympathetic and frames him as generally without fault to what happened. Different strokes for different folks.

Given that Anakin is space JesusJudasSatan, makes him the ideological battleground for these perspectives, which creates a character whose various story plots and circumstances, depending on the writer/creator, is at least always a little bit in contradiction even if his actions are the same. Because he simultaneously is so many different types of things at once, and I think it just comes down to which works they're exposed to/are most drawn to.

But, building off of that: I think the main culprit, in broad strokes, comes down to which piece of media a person views as their canon: Lucas's movies, or Filoni's Clone Wars. Which, IMO, ultimately follow two completely different characters both named Anakin Skywalker, but this post is getting too long so I'll get salty about that some other time.

[princesssarisa]

Character ask: Fiyero and Boq (Wicked)

I'm not really a die-hard Wicked fan, but here goes. This is for the musical only, since I haven't read the novel.

Warning: spoilers below.

Fiyero

Favorite thing about them: That despite seeming like a silly playboy at first, he proves to be a kindred sprit to Elphaba, who loves and respects her as she is, who tries to help and defend her when no one else in Oz is willing to do so, and who ultimately sacrifices everything for her, even (nearly) his life.

Least favorite thing about them: That he leads Glinda on by not breaking up with her even as he starts to fall for Elphaba, and then goes along with their engagement even though he doesn't want to marry her. He should have ended things between them long before it reached that point.

Three things I have in common with them:

*I can be snarky.

*I dislike fakeness and selling out.

*I can seem like just a fun-lover, but really I think and feel deeply.

Three things I don't have in common with them:

*I'm female.

*I'm not royalty.

*I was never a partying troublemaker in college.

Favorite line: His joke when Elphaba tells him she realizes he's not as shallow and self-absorbed as he seems:

"Excuse me, there's no pretense here: I happen to be genuinely self-absorbed and deeply shallow."

And these lines from his dialogue with Glinda at the beginning of Act II, where he calls her out on her tragic flaw of choosing fame and popularity over everything else:

"You can't leave because you can't resist this. And that is the truth."

And when she objects that no one could resist it: "You know who could. Who has."

brOTP: His horse Feldspur in the movie, and probably Boq, especially if we keep the Scarecrow and Tin Man's friendship in mind. Not to mention Dorothy, even though their interactions are kept offstage.

OTP: Elphaba.

nOTP: Glinda.

Random headcanon: Hmmm... In the movie, he really did eat grass as a child. He's not just joking when he says he did.

Unpopular opinion: I like him better than Glinda as a romantic partner for Elphaba. Of course I understand that Elphaba and Glinda's bond is more central and more fleshed out, I see the appeal of Gelphie as a ship, and I know how much Gelphie means to countless fans. But personally? Without denying Glinda's importance to Elphaba, I prefer Fiyero as her love interest. He embraces her values and comes through for her in a way that Glinda only does at the very end, and no attempts I've read by Gelphie shippers to dismiss that fact ring true for me. As a couple, Fiyeraba reminds me in many ways of Esmeralda and Phoebus in Disney's Hunchback of Notre Dame (these Stephen Schwartz musicals have recurring themes!), and I don't see many fans putting down that pairing, even though they're a bit underdeveloped too, and even though Esmeralda's friendship with Quasimodo is more central to the plot. On the contrary, the fans hold up their love as the main example of healthy love in that story! Besides, if we don't think Elphaba really loves Fiyero, then "No Good Deed" loses its power. If he's just "comphet" to her, why should his apparent death break her so much that she resolves to really be wicked and kidnaps Dorothy? And the reveal that he's still alive is what snaps her out of her breakdown and lets her reconcile with Glinda in the end. I have nothing against shipping Gelphie, but I can't dismiss Fiyeraba as just "boring comphet" the way most of the fandom seems to do.

Song I associate with them: "Dancing Through Life"

"As Long as You're Mine"

Favorite picture of them:

Norbert Leo Butz

Aaron Tveit

Andy Karl

Derrick Williams with Stephanie J. Block (more actors of color should play the role)

Adam Garcia with Idina Menzel

Jonathan Bailey in the movie

Boq

Favorite thing about them: Well, when we first meet him at least, he's a sweet, adorkable character, and if the Tin Man we know from The Wizard of Oz is a mostly accurate portrait of how he behaves on his journey with Dorothy, he never really loses those qualities.

Least favorite thing about them: First that he leads Nessarose on (a recurring flaw among the young men in this story, it seems) and lies about why he asked her out, even if his reason is to avoid hurting her. And later, of course, that he becomes such a bloodthirsty witch hunter, out to kill Elphaba for turning him into tin even though she saved his life by doing so.

Three things I have in common with them:

*I can be socially awkward.

*I'm not always good at standing up for myself.

*Sometimes I want to blame people for doing things that made me uncomfortable, when really those things were good for me.

Three things I don't have in common with them:

*I'm female.

*I've never had any romantic entanglements with witches.

*I've never been turned into tin.

Favorite line: His verse in "March of the Witch Hunters," even though it's his darkest moment:

And this is more than just a service to the Wizard I have a personal score to settle with El... With The Witch!

It's due to her I'm made of tin Her spell made this occur So for once, I'm glad I'm heartless I'll be heartless killing her!

And the Lion also has a grievance to repay If she'd let him fight his own battles When he was young He wouldn't be a coward, today!

brOTP: In the Shiz days before things go bad, Fiyero, Nessarose, Elphaba and Glinda (especially in the deleted scene from the movie that shows them all hanging out together). And after he becomes the Tin Man, Dorothy.

OTP: None.

nOTP: Nessarose or Glinda.

Random headcanon: When he sees Elphaba "melt," he'll be unexpectedly horrified; he'll find himself remembering their days at Shiz and the girl she once was, and realize that seeing her die horribly doesn't feel as good as he thought it would. (I'm basing this on the Tin Man's close-to-tears face after the Witch melts in the 1939 Wizard of Oz: we'll see if Wicked: For Good has Ethan Slater react in a similar way or not.)

Unpopular opinion: Even though he's far from blameless, nothing justifies Nessarose stripping him and all the other Munchkins of their rights and forcing him to stay with her, then trying to magically brainwash him into loving her. He may deserve some karma for lying about his feelings for her, but he doesn't deserve all that.

Song I associate with them:

His part in "Dancing Through Life"

"March of the Witch Hunters"

Favorite picture of them:

Christopher Fitzgerald

Riley Costello

Ethan Slater in the movie

[puhpandas]

I love ggy so much how did they accidentally make the most intriguing hypothetical gay romance ever

[holybreadbutnot]

“Falin and Laios are the same just genderbent” WRONG! Falin is more meek and more empathetic to others along side being able to read them better compared to Laios who is talkative, extroverted, and not good with people. Please to not make it seem like Falin cant pass the bechdel test and dont center her personality around her brother

“Grr Shuro hates Laios i dont understand why!” Laios to an outsiders POV is annoying as shit and it makes sense. He constantly butts in where he shouldnt and cant read a room to save his life and yes i know its because of his autism. Seriously him and Shuros first meeting was him staring at him, going “so…what kind of asian are you?” And going on a rant for HOUUURRRRS about things he likes. They were off to a rocky start, Shuro tried his best to give as many signals as he knew without him being direct, so why didnt he just say so? Because he was raised to be kind and nice and avoid conflict in his society. “So Shuro hates Laios?” WRONG! In the fight scene Shuro hadnt eaten or rested well at all and was pretty on edge from seeing the girl he loved GETTING TURNED INTO A MONSTER. SOMETHING HE WAS MEANT TO KILL. Id be pretty pissed if someone turned the girl i loved into a murderous half dragon whos only goal was to kill everyone in sight. All of that combined = angry = fight. Shuro had said things he hadnt meant, and though i dont doubt that there wasnt any truth to the things he said he said it in the wrong way. After their emotions had gone down they had apologized to eachother and promised to stay in touch which is the most important part here. Shuro doesnt hate Laios, their personalities just dont mix well and they need time to learn and grow as friends

TL;DR Falin passes the bechdel test, Shuro was on edge the entire episode he was properly introduced leading to him and Laios fighting, which they both made up for

[necrotic-nephilim]

in the tags of that one fab five poly post you mentioned that you are a core four enthusiast and I’d love to hear if you have any Kon headcanons or just any yj headcanons in general, I love those little guys

!!! i love Kon so much, he's one of my fave guys. i actually got into the 90s era of comics to read his solo run, YJ(98), and then i just spiralled from there. i've got lots of headcanons about both Kon and YJ

for Kon specifically, i'm really attached to the headcanon of him and Power Girl being friends. i think the idea of them bonding over imposter syndrome over feeling like Kryptonians who don't neatly fit into the Superfam would be very crunchy. it's my Kara Zor-L stan showing, but i've got a lot of fic ideas where they end up close. similarly: i also think a friendship between Kon and Bizarro could be fun, both being clones of Superman made by Lex.

for a YJ headcanon: i hold FIRMLY to the belief that Bart knew TIm's secret identity before YJ even formed he just. never mentioned it bc no one asked him. the way they meet in Robin Plus Impulse, i see no world where Bart doesn't figure it out. i think it makes for a hilarious concept that Tim's identity real is a big deal and he uses the whole fake name Alvin Draper and Bart just blurts out that he's Tim Drake. i know we all love TimKon, but I'm a bit of a TimBart truther and i think it could be a fun little moment for them.

back to Kon: this is less of a headcanon and more of just a thought: but i wish we had more content about the Ravers, Kon's team before YJ. i won't everytime i think about Superboy & the Ravers i have to look it up to convince myself i didn't hallucinate that entire comic. but it was so fun. there was a road trip arc. a canon queer character who's arc was handled shockingly well for the 90s. (and the homophobic character was the one who got the unhappy ending while the gay man got to be happy with a bf?? revolutionary.) i personally believe Hero Cruz was Kon's gay awakening. i won't elaborate on this. anyway i wish we saw more of Kon thinking about this team after YJ formed and maybe missing some of his old party friend losers.

also on the note of Kon, i love any exploration of his canon experiences with being groomed by just about every woman he "dated" in the 90s. i'm such a fan of when a character becomes hypersexual to cope with their trauma that they haven't realized even is trauma. and i think Kon fits that bar perfectly. the first real attention he got outside of being attached to Superman's legacy was sexual attention from women, so of course he would lean into that and not realize how fucked up it was until years later. i love when it shapes his relationships in fanfiction, especially if he doesn't realize it. whether it's Tana Moon or Knockout or just about any other woman, there's a lot of material to explore.

Kon is one of the few characters i will venture out of pre-Flashpoint for because i think his complex over Jon Kent has the potential to be really complex and fun. i think everyone misunderstands Kon and Clark's relationship (i blame the Young Justice cartoon. i've had arguments you wouldn't believe over Kon on TikTok-) as father/son and that Clark is constantly pushing Kon away in favor of Jon, and that's just not true. the issue is that Kon was *forgotten* by the timeline shifting without him bc he was off on Gemworld. and to me, that's more interesting than making Clark some kind of absent father to him. it's an issue of the world he remembers not existing anymore and most of the world not remembering him either, and now there's a new Superboy replacing him. idk man that's fun. i have a lot of thoughts about the feelings Kon would have about Jon, wondering if the timeline shift was meant to "correct" Superboy to make a version of Superboy that was meant to exist and Kon wasn't. this very much ties into my thoughts on how he and Power Girl would have a lot to bond over, feeling displaced in a world that doesn't need them. that's where Kon's identity issues stem from. that said, i always prefer a Kon who actually gets along pretty well with the Superfam, including Clark and Jon. most of his conflict is internal, not external. it's what makes him crunchy.

more YJ headcanon: i think the shift from the Teen Titans to YJ from the perspective of the mentors is fascinating. YJ got a lot more freedom and less supervision, it's like how parents don't try as hard when they have more kids. so i love the headcanon that half the time the League has no damn clue what YJ is up to. they played baseball to save the universe? yeah they never mentioned it to their mentors. no one asked. the lack of supervision, sans a robot, makes them incredibly creative with how they solve problems. they don't approach anything traditionally because no one is properly guiding them. since they're a new generation of sidekicks, most of them holding a mantle that was passed down to them (or at the very least they're a new generation of a superhero family) it holds a bit of imposter syndrome. all of them are internally panicking 90% of the time while trying to appear collected around each other. they're actively a collective disaster because of it.

personally, i view the Core Four as more of a queerplatonic polycule than a romantic one? like i think it's fun to explore polycule dynamics where it's not actually everyone dating everyone, but far more complex of some people dating, some people are familial, some people are fucking, and we don't even know what those two have going on. it's complicated, you know? messy and codependent. i don't see them as a neat polycule whatsoever. it's like an on and off again relationship but with four people that also occasionally includes others. i'm personally a fan of the potential of the Young Justice (2019) team being a polycule except none of them have any clue who's dating who. every single one of them *will* give you a different answer. half of them aren't even aware of the other's sexualities. Jinny has come out as a lesbian like four times to her own polycule. i'm a big fan of this team and i wish there was more fan content for it.

random smaller headcanon: i do think Kon can cook and i think no one believes him when he tells them. bc the issue isn't he can't cook, it's that he never has food in his fridge or pantry to cook with. that boy was raised with Ma and Pa Kent, he can make a *mean* hotdish with whatever he finds. just don't expect him to ever repeat a recipe bc he will never have that exact combination of ingredients in his kitchen again. he is however, horrible at baking bc cooking is an art and baking is a science and you will never catch him following a recipe in his life.

i think Kon regularly uses his TTK to save his teammates during fights and just. never mentions it. like in small ways, such as slightly moving flying debris that's about to hit them, making a villain's punch have more resistance so it doesn't hit as hard, slightly pulling them out of the way. no one knows for like. *years*. i'm very obsessed with pushing TTK to the limits and exploring how it makes Kon hyperaware of his surroundings. it's a literal sixth sense and i think he's passively always aware of everything, even when he's relaxing. no one realizes just how much control he exerts over a fight. which means he's holding himself back most of the time, and in my opinion for the reasons of being afraid of himself, and afraid of the Luthor parts of him. so he just. balances a fight in little, unnoticeable ways.

it's one of my headcanons that if Kon started openly dating Tim Drake, Lex would immediately try to get closer to Kon bc not only would he approve of Kon dating someone from high society, but he'd want to try to use Tim's power within his family's company and Bruce's company as leverage. of course it wouldn't work, but it'd be a fun mind game if Lex vs Tim with Kon just stuck in the middle. i have a vague fanfic idea for this I'll probably never write.

this is a cursed headcanon: but i believe Kon has an incest kink. the number of times he's canonically expressed incestual feelings (both on purpose and on accident) is not on purpose in the text, but the fact it keeps happening means i'm personally just going to run with it. i think KonJayTim is fun bc even if Tim and Jason don't see each other as siblings, Kon would make it a kink anyway. i will leave you on that cursed note.

[fiona-fififi]

The way people sometimes refuse to acknowledge that writing choices that clearly go against established canon should mean something is endlessly frustrating to me. We don't have to agree on the interpretation, but these writing choices SHOULD mean something.

Otherwise, it's shitty writing.

[glindyupland]

I just think it’s silly that so many people complain about Villain Amaya as “wasted potential” and that “we were robbed” like-

My pals, post canon fan fiction is right there. The desire to free her husband is right there. Either by touching an evil book while being too eager to remember the obsidian oil, or being possessed by contact (ie what she believes is true loves kiss) when trying to reason with him in the dungeon.

We don’t need a rewrite, we can have a continuation. Both can be true. Amaya is a complex character, she can handle it.

[holydramon]

person who voted that I’d like the beginning more than the tri movies: I feel like you should know I am one of the biggest tri lovers there is. that was the least safe bet there. that said I admire your guts.

[tasmanianstripes]

People need to practice minding their own damn business

Don't come into people's inboxes giving unsolicited advice or criticizing their personal stuff. Don't reblog somebody's posts saying how much you hate it and their opinions.

Don't like somebody's characterisation, AUs or the kind of art they post? It might even annoy you?

Okay, cool. Go make your own post. Block them. Be a little hater about it to your friends. It's good for your soul!

But don't be goddamn rude to people. Don't make it their problem.

"I don't like what this artist likes mah mah mah"

Here's a wild idea;

Artists...don't need to cater to you. You are not entitles to their work. Nobody on the internet should coddle you and post only stuff you like.

Shocker, I know.

[angelinthefire]

Based on what I've seen from fandom, I think a lot of people misunderstand what it means to call Mel a political manipulator.

It does NOT mean that she's an evil schemer who lies to get people to do things they don't want to do.

What it means is that she knows how to be persuasive, how to get people on her side, and build points of support for her own ends. It means she knows How To Win Friends And Influence People. It means that she knows how to be "the fox" - how to exert influence without needing to resort to force. It means being able to "bend other people's magic".

And she very much is those things. That's how we're introduced to her, she flatters Hoskell so that he votes with her on the council. That's how we see her behave in her flashback in s1.

Mel being manipulative is not a flaw, it's a skill.

And the way that she uses her skills on Jayce is really interesting. Unlike with Hoskell or whoever, Mel is only ever honest with Jayce. I think that shows a certain respect for his intelligence, and also that she had an accurate read on his character: he is a sincere and honest guy - when he's on trial in front of the council he can't bring himself to lie about his work. It's by being utterly honest with him that she gains his trust, she puts herself on his team, and in doing so is able to make the case that their interests are aligned, that by following her advice Jayce will be able to advance his science.

The really fun thing with Mel and Jayce is that Mel is clearly someone who likes to hold all the cards and be in control of the situation. She gets Jayce on the council to better promote her interests. But then Jayce keeps surprising her. And every time he does - she takes a chance on him. Both on the council, and in their personal relationship.

He shakes things up for her, and he doesn't even realize he's doing it. And every time he does something that surprises Mel, whether it's confiding in her about Viktor or reaching a peace deal with Silco, he just automatically trusts her to be on the same page as him. And that surprises her too, but she opens herself to him. And they have this partnership that we don't see her have with anyone else.

[soapybutt17]

The Next of Kin

Summary: Simon needed to update his contact information, as dodgy as he was for giving everyone even a glimpse of his private life, he did so. Who would have ever thought that it would become handy after an injury left him high on painkillers and needy for his girls back home. Character: Simon "Ghost" Riley x Wife!Reader. OC Daughter (Cassandra "Cassie" Riley). John Price. Word Count: 1,615 Chapter Warnings: Mentions of Injuries. Drug Consumption. Slight Angst. Mostly fluff.

Masterlist || Request are Open

It was the annual checkup in the base, something that Simon had dreaded the most knowing what it entails. Not only was his current and past injuries being monitored but he was all too certain about the wacky doctor would also make an appearance to check on his mental state. It wasn’t a fun time as any of his other team mates point it out to be.

“Should we update your emergency contact, Lieutenant Riley?” The nurse had inquired dealing with his medical records.

A part of him wanted to say no, but remembering what was waiting for him home, he could not allow himself to break his wife’s heart as well as his own daughter if the time ever comes that he dies in the middle of battle. He would want to ensure if ever that was to happen, you would know and hope that you would move on.

“Yes,” He agreed accepting the clipboard and pen handed to him.

Without an ounce of hesitation, he wrote your name and your number under his emergency contacts.

His handwriting was decent and readable at best, chicken scratch at worst as Johnny had eloquently pointed out during reports. But there was this special care with the way he wrote your first name and his last name that you were more than happy to take as soon as you married all those years ago. Your number was ingrained to his brain as he wrote it, having forced himself to memorize in the event he didn’t have his personal phone with him and simply a burner phone for missions.

What truly took him a second to write was the blank space dedicated to his relationship with you. No one knew he was in a relationship, nor did anyone know about his marriage. It took him a full two minutes before he found himself slowly opening the flood gates of his personal life that he had tried his best to hide from the world.

“Never knew you were married, Lieutenant.”

“Never planned on letting anyone know about it.” He spoke honestly, the cold demeanor and tone enough to stop the conversation from going further about his personal life.

Little did Simon know that the upcoming mission would lead to him having to make use of the emergency contact.

~

When you had begun your relationship with one Simon Riley, you had always accepted that he would always be gone for uncertain amounts of months in a year, you had accepted that part of him. How mission would always mean the world was a little safer from the dangers of man. You accepted all the big and small flaws that came with Simon and even in your eventual marriage and the birth of your daughter, you had come to accept the danger that would come in missions that would place him badly bruised or beaten beyond repair. You would always be there to tend to each and every single wounds and be the shoulder for him to cry on when he was good and ready.

But nothing could have ever prepared you for another unknown call coming from your phone. You’ve always expected it to be your husband, checking up on you before the mission begins like he always does. But the voice of an unknown man was the last thing you would have expected.

He called himself John Price and you know the man from your husband’s few conversations when he talks about the people he works with. You had feared for the worst as soon as he had explained that your husband has just gotten out of surgery after a mission. A few broken bones and a superficial gunshot wound. But it was enough to worry you as Simon himself has been asking for you as soon as he was out of surgery and in lucid consciousness.

On most days you were calm and collected, but it was the panic of seeing the worse of your husband that had you carrying your two year old and a baby bag towards your car with a mission. The Captain had asked if you could possibly have someone come get him but you know no one else better to check up on him but yourself and your daughter that was all the more excited about being in the car.

The travel was rather long and rather tedious knowing you and your husband had agreed to live away from the city and away from any dangers that may come to you and the baby while he was gone. You had appreciated the distance, the peaceful tranquility that came with being away from the bustle and noise of the city but not this time. It had meant a longer journey and a more hectic one since the base was all the way across the other side.

Once you had arrived to the base, all eyes were on you. Many eyes had lingered on you when they heard your last name. You know for a fact that your husband’s name and reputation beholds him, but you never knew nor did you ever try to question to what extent. It unnerved you more was how avoidant everyone had been of you aside from one of the soldiers tasked with bringing you and your daughter to your husband.

Outside the infirmary room was a rugged man. The man exudes an air or control and intensity and rugged strength, but not as much as your husband did. His posture was upright, suggesting discipline and years of military training. Dressed in an all too familiar tactical gear, he gives off a no-nonsense vibe that immediately commands attention.

“Ma’am, my name is John Price.” The man introduced the moment he caught sight of you.

You spoke your name and your daughter that was surprisingly all too mum in the whole situation, you were surprised that she wasn’t crying at being in an unfamiliar environment like she usually was.

“It is best to assume that you two are Simon’s wife and daughter, I presume?” He inquired.

You took a moment to think if it was alright to agree with his statement. Knowing your husband and the array of precaution he had come to give you, you were uncertain if you could trust the man with such a fact.

“Yes.” You spoke, dealing with the consequence later as there was something more important that needed your attention. “How’s he doing?” You inquired wanting to change the subject now.

“Stable. A little loopy from the drugs, but he’ll make a fast recovery.”

You nodded, hesitation of asking if you would be allowed to see him now in his state.

“He was looking for you.” He opened the door for you and you were welcomed with your husband in bed with his mask still on.

“Dada!” Your daughter squealed upon the sight of your husband groggy still.

You watched as his head turned to look at you and your daughter.

“Love…” He grunted wincing at the pain that you were certain that was coming in full force now.

“I’m here, Baby.” You whispered approaching him, cupping his cheeks gently. “Me and Cassie are here.” You assured trying your best to hide the tears that were fighting to fall at the sight of him.

~

When Simon Riley had opened his eyes, the first thing that he had come to notice was the pain that surrounded his entire body. The next thing that he noticed was the warmth that wrapped around his calloused hand.

Turning his head he saw the most beautiful sight that he had the fortune of seeing in his life. His wife and daughter. The more pressing matter was the fact that you were asleep in an all too familiar uncomfortable plastic chair with one hand on him, and your other arm held onto your baby sleeping on your chest.

“Baby…” He grunted harsher than he intended.

Slowly blinking away, your eyes immediately turned down towards your daughter before your eyes met his own.

“How are you holding up?” You inquired immediately, trying your best not to wake your sleeping daughter still cradled snuggly on your chest.

“Like a bitch.” He muttered appreciating being able to swear with his daughter still asleep. “But I’ll live.”

“I’m glad.” You sighed, rubbing his hand tenderly. “I was so worried about you when your boss called me. I thought something worse has happened.” You whispered.

“I didn’t really want to worry you—or have you see me like this.” He muttered.

“I know.” You nodded gently letting go of his hand to cup his cheeks that still was covered with his mask. “But I’m still as glad to be here right now knowing you’re alright. Me and Cassie get to see you’re alright.”

At the mention of your daughter, Simon noticed his daughter begin to get fussy from your chest. Gently pushing himself up until he sat on his bed much to your protest, he took your now crying daughter into his arms, gently laying her onto his chest and how quick she was sated in his warmth.

“Daddy’s here, Angel. I’m here.” He began to whisper, pulling off his balaclava to kiss his daughter onto top of her head. “I’m not going soon for a while. I promise.”

He has yet to tell you about the doctor’s insistence that he takes a few months off. It would be something he would tell when you get home. Once he finishes up with the paper works, he’ll let you know of the good news. For now, all that’s important was he had you and his daughter here with him, even in his most vulnerable state.

[rewritingcanon]

i just want to add to this a little (everything op said is completely valid and real, btw), just on the point of how creators for the marauders fandom are either specifically praised or shunned. it is insane the amount of criticism i’ve seen on works (mostly fanfics as i interact with them the most) that are bashing a fic or EVEN THE AUTHOR because they aren’t characterising someone to their liking.

this is real for the hp fandom in general, but seeing as its so normalised (at least i see it personally more often) in the marauders fandom, its just a whole other layer of out of touch.

characters from the marauders era have very little canon evidence on them, save from a select few. some of your favs are only mentioned a few times in the series, some only once. so there literally is no ‘right way’ to characterise them (and even if there was, its fanfic, which deviates from canon inherently, so its not even that big of a deal if your personal version of them was canon).

there’s this joke going around in the marauders fandom, where they call popular and well-loved fics ‘canon.’ there begins a whole sub fandom off that one fic, as if its actually canon. its a joke but i think people have actually internalised it and started judging other works to a certain standard that has become multiplied across the fandom. i dont want to name names of fics, but i’ve seen people comment on others work that this gives them *insert popular marauders fic* vibes. it can be taken well by some, but others may just find it incredibly disheartening, because it is to an extent. which is why, as op said, its so hard for smaller marauder creators to be interacted with.

this fandom can be really egotistical at times tbh. now that zar has stepped back from the fandom, people are more worried about not being able to read their fics anymore, rather then their well-being (i've literally seen people BEGGING on tiktok for docs of their writing,,, they literally took down their fics because they were not comfortable with people reading them anymore (you are crossing boundaries, people!),,, get a grip).

known fandom authors / fanart artists are put on a pedestal and treated like a celebrity and like they hold the almighty truth. you do realize that these people that give you content through your devices are people too, right? they go grocery shopping and they listen to music and they go to sleep the same way that you do, and just because they happened to blow up on xyz platform does not give anyone the right to cross their boundaries and ask things from them literally just because.

and don't get me wrong, i love it that people enjoy reading and looking at fanart and whatnot, but it's important that the creator feels the same way, because you can't have an enjoyable fandom experience if people constantly ask things for you and criticize your work to bits. you don't like the way someone wrote a certain character or a certain scene or anything else? do it yourself, or look for something that has specifically what you are looking for. stop demanding things from artists, and don't pressure them into doing things they don't want to. you have to realize that these people create content for free and put it out for people to enjoy. for free. and yet people are still ungrateful and hateful of content they paid nothing to see.

a thing that fandoms in general seem to not grasp is that content creators likely create content the way they see it and the way they like it, because they like it. if you don't like it, it's that easy to click off instead of sending hate mail and of demanding a certain thing be written / drawn the way you see it. and it's one thing to request something, and one thing to demand / pressure someone into something.

recently, so many people are driven away / taking a break from this fandom for this exact reason. popular content creators are praised to the point that the people who consume their art seem to believe that they are not human anymore, and unpopular content creators are driven away because nobody engages with their creations. don't get me wrong, engage with whatever you want, but it's disheartening, seeing people be acclaimed while nobody interacts with you.

(also, @sunshinemarauders did a thesis on the subject of harassment and this kind of behavior in fandom, and the rates are absolutely alarming. for more insight on their research, you can check their account to see the data and the conclusions.)

like previously mentioned, fandom is supposed to be an enjoyable experience and some people are ruining the fun of other people. stop it. please realize that your actions have consequences.

[macbethz]

what i think REALLY works about dot and bubble is it plays with the genre conventions of doctor who itself. We've seen doctor lite episodes like this, we know how they work. There's person who needs to be saved who gets indirect help from the doctor, maybe they're flawed and learn a lesson at the end, maybe they're part of some flawed society that is just kind of set dressing or ends up being torn down at the end without examination. About halfway through the episode I was ready to brush this off as a fun but predictable classic rtd ep that wasn't really anything special. Then from the the betrayal of ricky September on its like watching a house of cards that has been built the entire episode without us noticing collapse into a perfect stack

“Oh well of course you could see them being racist the whole time” the thing is sometimes doctor who is just like that. RTD EPISODES have historically just been like that, either in that they are microagressions in themselves or have bigoted characters/worlds that go unexamined. And I think this episode performed an absolutely insane self aware slight of hand that relies on both you and the writers knowing that doctor who and sci fi in general has a racism problem. The ending recontextualizes things in the episode you may initially have brushed off as an unfortunate BBC or science fiction moment (all white cast, manifest destiny language) as symptomatic of larger societal issues, thus in turn recontextualizing missed moments of bigotry in the shows own history

[nerdietalk]

In the original Adventure Time, Fionna wasn't really given any kind of personality. She's a self-insert for the romantic plights of other characters. Her stories revolve around love triangles, quirky relationship drama, and romantic foibles. And even within these stories, the drama is largely conflict free. No one's really at fault and all misunderstandings are cleared up without issue.

In comparison, Finn experienced a lot of major conflicts. He torpedoed his relationship with Flame Princess in one of the most uncomfortable and ill-advised manipulations I've ever seen in any fictional medium, to the point I was reluctant to ever return to the show afterwards. But through that mistake came growth and change. Finn made a lot of mistakes, but he learned a lot of lessons.

What's really interesting about Fionna and Cake is how it characterizes Fionna through that lens.

Fionna, created as a "copy" of Finn and Jake, was always the most mature person in the room. She was cute, graceful, and solved every problem without issue. But when she's only written like that, there's nowhere for her to grow. No room to change.

Adult Fionna is inherently irresponsible. She's flighty, abandons problems on whims, and she's oblivious to people's pain unless its extremely visible. When she travels through the multiverse, she views problems through narrative tropes. She talks about apocalypse rpgs and heroic fantasies. She's shockingly self-centered and ignorant to the suffering of others. When she looks at Simon, she can only see that she's "boring" compared to Ice King's "fun." She lived in a world with clear cut moral lines. No complications.

When adventuring for the "first" time, Fionna complains about the outfit. She can't move around well in the skirt. Prismo is baffled. "You never had any trouble with skirts in my stories." She wasn't written for practical considerations in mind. She was written for easy fun for a first-time writer.

As a form of escapism, Fionna is flawless. In the real world, Fionna has never faced a real challenge that forced her to grow up.

And what really just absolutely sells this writing choice is that the narrative doesn't make this as a potshot against fandom or womanhood. It doesn't look down on Fionna, it just communicates that this is the kind of person she became as an adult. There's nothing demonized about the idea of fandom or Fionna's womanhood. It writes Fionna this way because its interested in how she can be a real person, with real flaws. The moment to moment existence of Fionna and how she can function as a real person when the cameras turn off.

Fionna has to face challenge to grow as a person. She can only be a fully developed character when she gets the opportunity to be wrong, to make mistakes, when she's forced to think through her actions. And the show's willingness to confront this idea and what it means for Fionna's existence is so genuinely smart and compelling.

Adventure Time whips is what I'm getting at.

[ohnoitstbskyen]

What are your thoughts and the same-face-syndrome Oda has going on with Nami, Vivi, Rebecca, and Shirahoshi?

Oda is kind of a frustrating artist in this regard, as he is in many regards.

Because on the one hand he demonstrates, to a greater extent than almost any of his peers, the ability to design interesting, varied, creative, compelling and fun characters, with a huge variety in presentation and body type, and without the dehumanizing distancing that a lot of artists employ when depicting non-normative bodies.

Charlotte Lola for example, one of my favourites, is a character who is extremely caricatured, and depicted as stocky, broad, and rough around the edges, with a missing tooth and odd proportions. But the story consistently treats her interiority with respect and depicts her as complex and interesting beyond her sillier surface traits.

... and then up AGAINST that you have the Infinite Leggy Busty Beauty Brigade, which includes Nami, Robin, Carrot, Pudding, Doll, Domino, Boa Hancock, Vivi, Kalifa, Shakuyaku, Alivda, and on and on and on and on.

And it's this frustrating binary where Oda seems to know exactly ONE way to visually present feminine beauty: thin, curvy, busty, with long legs and a round face, and he repeats it over and over and over again like his only two modes of design are either Copy Paste Pin-Up or Crazy Caricature.

The same face syndrome comes out of that, I think. Because the gamut of what A Beautiful Woman™ can look like in One Piece is so narrow and has so few traits available to it, repetition becomes inevitable.

And idk if this is just Oda's personal indulgence, maybe he just draws the kinds of women he's attracted to, and fair enough I guess, people have the right to be self-indulgent in their art, but it is consistently one of his biggest weaknesses as an artist and designer that he just can't seem to stop reproducing the same hot babe design over and over again.

I will say that Oda is not noticeably any worse in this regard than most anime and manga - copy pasted normative bodies with same-face syndrome is the norm, not the exception, especially for female characters. And that doesn't make it not a flaw in Oda's work, just a flaw that should be understood and assessed within its context, where Oda's repetitive babes are (at least in my opinion) still more distinct and interesting than how most of the industry treats its Hot Babe characters visually.

Still wish he would incorporate, like, ONE new idea for what a beautiful woman can look like, though.